-online formats for curatorial practice
-restaging historical exhibitions online as means to reenter those conversations into history
-? tools with students for curating online exhibition (? identify strong visual experience that fits with digital methods and experiences)
-curating electronic literature, sonic experiences
-rel. physical exhibition and online components/correlatives
-multimedial gallery experience and how can drive participation with physical exhibitions
-how to create a digital experience?
-how make intuitive to participant?
-? why chose physical and/or online space?
-mixed platform exhibitions
-digital space as a freer space? fewer authoritative voices?
-? showing works and exhibitions that weren’t conceived to be online (e.g. historical objects/exhibitions)
-using tablets to look at on own time, in own space
-project “Decenter” – decenter how think about abstraction, rethink canon re. Armory show, formal comparison early abstraction and digital manipulation (e.g. photoshop); invited other artists to participate so incorporating social media (aspect can’t incorporate in a gallery, something made for online)
-website environment as “native” environment – a different space from physical gallery space
-?computer as frame to a work of art??
-how do digital media change ideas/notions about “curation” – does curation become a more collaborative/inclusive process? how is process changed?
-do works for art get changed or understandings/perceptions? new questions?
-good e.g. of digital exhibition – Tate “gallery of lost art” – was temporary – about works that never really had physical object form – experience like an archivist searching
-? of process and exposing process and how online platforms can do more along these lines
-new work drawn from digital archives; artists who work in code
-? new kinds of ephemerality with dig media works and curation?
-new questions of rights for artists and curators
-?s of control – artists working online gives appearance of control, but not really much control – challenging space for artists and curators
-?s of preservation/archiving – of digital life cycle with digital works and curation?
-?s of didactics/interpretative materials and discursive spaces of galleries – what is lost? how restore immediacy of engagement with objects?
-danger of info overload with online interpretative tools – question of distraction and right amount of info and options
-rethinking authority of curator
-online spaces allow for multiple “authors” of chat labels (e.g. Wikipedia style labels) – how gallery like spaces like Wikipedia without transparent authority
-how think about exchange between digital and physical exhibition spaces? transitions between the environments
-how democratize selection, interpretation and (interactive) experience?
-how does digital curation change curatorial thinking and practices and/or participant experiences/expectations?
-can think more broadly, think/work more collaboratively, think more deeply (options online for greater depth)
-online catalogues that can free download on iPads (iBook author – can look really nice – good widget options) or Word Press
-good opportunities for student participation/contributions
